As far as working with the table loom, I've found it good to simply write down the lever lift sequence and follow
that, rather than trying to look at the draft and mentally translate it for the table loom levers. This has been
easy to follow and the simpler ones are easy to memorize.
Sample 6
VII. Pebble Weave from Marguerite Porter Davison's A Handweaver's Pattern Book. |
I found myself thinking about how to use this one. I'm thinking skirt fabric or tea towel using closely related colors such as white and neutral or two
shades of blue. I'm thinking this would bring out a textured effect.
Lever lift sequence
1-32-41-23-4
repeat
Sample 7
II 179 A (waffle weave treadling) from Helene Bress's The Weaving Book |
Lever lift sequence
432-41-3-42-3-41-3-42-43repeat
Sample 8
II 238 A (overshot) from Helene Bress's The Weaving Book |
Lever lift sequence
(use tabby)1-22-33-41-41-22-31-21-43-42-3repeat
1234repeat
Sample 10
II 43 A (warp emphasis twill) from Helene Bress's The Weaving Book |
Lever lift sequence
1-2-31-2-41-2-31-2-41-3-42-3-41-2-31-2-41-3-42-3-41-3-42-3-41-2-31-2-41-3-42-3-4repeat
I was expecting the levering (???) to be complicated, until I realized that I was only changing one harness per pick. That meant I only had to change one lever per pick, which actually turned out to be pretty easy.
Observations (things to improve upon):
- My beating is becoming more even, but
- There's some unevenness of tension across the warp. I see it along the fell, where in some places the weft packs in differently than other spots.
- Not entirely satisfied with my selvedges. (Yet)
I'm looking forward to getting all of these off the loom and wet finished to see how they turn out.
2 comments:
I really like samples 6, 8, and 9!
Michelle, this is the great thing about sampling, and it's fun to see what catches the eye.
Overshot is something I've never made a proper study of, other than samples. It's a great use of wool, including homespun! Now that I'm back to weaving, I can start to explore!
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