By
LeighThis month the
Online Guild is featuring a lace weaving workshop. Having spent the past several months exploring color-and-weave effects (specifically log cabin and shadow weave), I think it is a timely change of pace for me. Fortunately, my computer problems haven't put me too far behind in the workshop schedule.
Besides exploring color-and weave, I have been learning how to warp back-to-front. After years of warping front-to-back and struggling with compromised warp tension, I am delighted that b2f warping has made such a difference in my weaving. I can't really lament not having learned it sooner, as it seems to me that f2b is pretty much the American standard these days. I've read that the reason for this stems from the American settlers, who didn't have neighbours close by to help with their warping. But b2f techniques have been developed (or perhaps they've existed from the dawn of ages) which allow a weaver to warp this way alone. It's these techniques which I have been exploring, and with happy results.
I think that being largely self-taught claims most of responsibility for my tension problems. True, I did learn the basics at an excellent one day workshop sponsored by
The South Mountain Handweavers Guild, and true, I did take two classes from an excellent weaving teacher. But lets face it, the perfecting of any skill is a process which only emerges from hours of diligent practice. It is the fruit of one's own labor.
I'm not saying that I have the whole thing down pat and could warp a loom b2f blindfolded, or in my sleep. No, I still have to keep my reference materials and notes handy. And I'm still fine tuning. In fact, I was tempted to try some more experimenting with this warp, but decided that perhaps it would be best to get one method memorized before I try experimenting any more. Otherwise I will always feel slow and awkward with the process.
So I've gotten the warp beamed and am ready to thread the heddles. Not without help of course.



I am beaming about 5 yards of 12/2 cotton. It is an unbleached natural color. I did make one small improvement in how I weighted the warp bouts. The ring is so much easier to deal with than
doing this.
It is a sampler, so I only have 204 ends to deal with, plus floating selvedges.
That said, I'd better get back to work. Hopefully I can get the heddles threaded and my first few assigned inches woven by tomorrow. That's when the
good stuff starts.
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