Decision About the Random Stripes

I laid out my thought process in my last post, which was helpful as it gave me a chance to organize my thoughts and look at my options for comparison. I decided to go with using a random stripe generator and warping back to front. 

The generator gave me both a visual chart of what the stripes will look like, plus a list of the color order by color names. Since my yarns don't have color labels, I'm going to have to assign them names in order to know which ones to wind as I follow the list.

My actual yarns I would call brown, beige, gray, and khaki. The closest picks I got from the generator were called Camel, Mocha, Mushroom, and Meadow. Gotta love those descriptive color names. They look good on labels but are pretty meaningless when trying to find substitutes or describe something to someone else. 

As an aside, I just finished reading a book entitled Where We Meet the World: The Story of the Senses by Ashley Ward. It will likely come as no surprise that scientific researchers have determined that people don't all perceive color the same way. We don't see the same color when we look at them. We may identify something as green, but how that green appears to us may be different than the person standing next to us. Makes me wonder if my fussiness about color only matters to me. 

Once I chose the colors, stripe width, and number of stripes, I could keep hitting the "generate stripes" button to get different groups of 50 stripes each. 

The visual they gave me looks like this

First 50 random stripes

The colors aren't a good match to my yarns, but it gives an idea of the randomness. For winding the warp I think I'll do best to follow the list and check them off as I go. I'm including the list here in it's entirety, so I don't lose it. 

 Camel, Mocha, Camel, Meadow, Mushroom, Meadow, Mushroom, Camel, Mushroom, Meadow, Mushroom, Camel, Mushroom, Mocha, Camel, Mushroom, Camel, Mushroom, Camel, Meadow, Mocha, Mushroom, Mocha, Camel, Mocha, Meadow, Camel, Meadow, Mushroom, Camel, Meadow, Camel, Mocha, Mushroom, Mocha, Meadow, Mocha, Meadow, Camel, Mocha, Mushroom, Camel, Mocha, Camel, Mocha, Mushroom, Camel, Meadow, Mushroom, Meadow

Mocha, Meadow, Mushroom, Meadow, Mocha, Camel, Mushroom, Camel, Mushroom, Camel, Meadow, Mocha, Mushroom, Camel, Mushroom, Camel, Meadow, Mocha, Camel, Mocha, Mushroom, Mocha, Meadow, Camel, Mocha, Camel, Meadow, Mushroom, Mocha, Camel, Meadow, Mushroom, Camel, Mushroom, Camel, Mushroom, Camel, Mocha, Meadow, Mushroom, Camel, Meadow, Mocha, Meadow, Mocha, Mushroom, Meadow, Mocha, Meadow, Mushroom

Mushroom, Meadow, Mushroom, Mocha, Meadow, Mocha, Meadow, Mocha, Camel, Mushroom, Mocha, Mushroom, Mocha, Camel, Mushroom, Meadow, Mocha, Mushroom, Mocha, Meadow, Mushroom, Meadow, Camel, Mocha, Meadow, Mushroom, Camel, Meadow, Mocha, Camel, Mushroom, Mocha, Mushroom, Meadow, Mushroom, Mocha, Mushroom, Camel, Meadow, Mocha, Camel, Mushroom, Camel, Mushroom, Camel, Mushroom, Meadow, Mocha, Camel, Mushroom

Mocha, Mushroom, Camel, Mushroom, Camel, Mushroom, Meadow, Camel, Mocha, Camel, Mushroom, Mocha, Camel, Mushroom, Meadow, Mushroom, Mocha, Meadow, Mushroom, Mocha, Meadow, Camel, Meadow, Camel, Mushroom, Mocha, Camel, Meadow, Camel, Mocha, Mushroom, Mocha, Camel, Mushroom, Camel, Mocha, Camel, Mocha, Meadow, Camel, Mushroom, Mocha, Meadow, Camel, Meadow, Camel, Mushroom, Camel, Mocha, Camel

Mocha, Mushroom, Mocha, Meadow, Mocha, Mushroom, Mocha, Camel, Mocha, Meadow, Mocha, Meadow, Mocha, Camel, Mushroom, Camel, Mocha, Mushroom, Camel, Mushroom, Camel, Meadow, Mocha, Meadow, Camel, Mushroom, Camel, Mocha, Camel, Mushroom, Camel, Mushroom, Meadow, Mocha, Mushroom, Meadow, Mocha, Camel, Meadow, Mocha, Mushroom, Mocha, Meadow, Mushroom, Camel, Mocha, Meadow, Mocha, Meadow, Mushroom

Mushroom, Camel, Mushroom, Mocha, Meadow, Camel, Mocha, Meadow, Mushroom, Meadow, Camel, Mocha, Mushroom, Camel, Mocha, Meadow, Mocha, Camel, Mushroom, Camel, Mocha, Mushroom, Camel, Meadow, Mushroom, Meadow, Camel, Meadow, Mocha, Mushroom, Meadow, Mushroom, Meadow, Mocha, Mushroom, Meadow, Mocha, Meadow, Mushroom, Meadow, Camel, Mushroom, Mocha, Camel, Mocha, Mushroom, Meadow, Camel, Mocha, Camel

Decision About the Random Stripes

© 2026 by Leigh at Leigh's Fiber Journal

Designing Random Stripes

 Something I seem to recall, is other fiber artists mentioning that their attempts at random usually end up looking like a pattern. It's an interesting phenomenon, interesting enough that I did an internet search on how to create random stripes. Almost every web article recommended a random stripe generator, of which there are quite a few out there (very popular with the crochet crowd). For example:

• Stripe Pattern Generator
• Striped Pattern Generator
• Crochet Stripe Generator
• Best Stripe Pattern Generator
• Stripe It
• Etc.
• Etc.

A generator is easy to use, but my hesitation is having to somehow keep track of the colors as I wind my warp. I've done this before with a checklist. It's a little slow, but as long as I take care to not tangle the treads coming off the cones, it goes well. (For me, however, tangling seems inevitable.)

Advantages:

• Probably the best guarantee of randomness
• I could dress the loom back to front, which I prefer with my Glimakra
• I wouldn't have to figure it out myself

Disadvantages:

• I don't have a printer to print off the list, so I'd have to go to the library for that
• Or copy it off by hand
• I'd have to remember which color name went with which cone
• Slower (keeping track of which color is next)
• Thread tangling as I wind the warp. 

The other option would be designing as I go. To do this, I could wind on multiple threads together and then pick them off the cross in a random manner as I thread the reed. 

Advantages:

• faster

Disadvantages:

• I'd have to warp front to back
• Would still likely get tangling
• Possibility I'd not be successful in a truly random pattern

Obviously none of these is seriously monumental. And yes, I'm probably over-thinking it (but then, it's my nature to over-think everything). It probably even seems like I'm procrastinating (which I am to a degree as I finish painting the room my Glimakra is in). But I have to make a decision somehow. 

Designing Random Stripes © 2026

by Leigh at Leigh's Fiber Journal

Random Stripe Dishtowels. Winter: Colors & Yarns

If you were asked to pick the colors of winter, which would you choose?

My project idea is to make four nature themed dishtowels, one in different seasonal colors. Since it's been snowing, winter is the season I thought I'd start with. For color inspiration, I chose this photo, thanks to our recent winter storm.

It isn't a stripe inspiring photo, so I created a color palette. 

Then I took a look at my stash to see if I had anything close to those colors. I have no shades of brown or gray in 10/2s, but I do in 8/2s. My idea is to use snow white for my weft and leaf browns and grays for my warp. Here's what I have for browns and grays in 8/2s.

It's interesting that in the photo the right most cone of yarn is greenish. In real
life, it's brownish looking. Ditto with the 2nd to the left, which is bluish here.

Next I used a Random Stripe Generator to create some stripes. Their color choices didn't quite match mine, but I just wanted an idea of how similar colors in a random arrangement might look.

At this point, the thing to do should have been making a digital model with weaving software. Except I don't have weaving software installed on this laptop, so I had a play with it in Gimp. I turned the stripes vertically as the bottom layer, superimposed the leaf weave draft as a top layer, and did a little color replacement of the original draft.  

My first thought was that the leaf pattern became somewhat lost. It might look better if I could zoom out, which weaving software would help with. So would sampling, and I'm thinking I should try both an 8/2 white weft and a 6/2 white weft and experiment with the beat to make sure I don't lose the leaf pattern.

My other thought was that it might be best to stick with warp colors of similar value, so there's no visual competition with the leaf pattern. I want variation in the leaf motif to be subtle and not compete with the pattern. If I do that, I have four colors closer in value.

My other observation is that replicating the stripes from the random stripe generator would be a tedious task. Especially since I'll likely need something like 370 ends! So I'll have to come up with another way to design a random stripe warp of that width. 

So this is my starting point. We'll have to see what develops from here. 

Random Stripe Dishtowels. Winter: Colors & Yarns 

© 2026 by Leigh at Leigh's Fiber Journal

Random Stripe Project Idea: Season Themed Dishtowels

 After my successful experiment in random stripes, I started to think about how to apply random stripes. An 8-shaft leaf draft I found floating around the internet gave me an idea.

Even with its complicated treadling, the leaf motif is perfect for an "inspired by nature" project. My idea is to make four sets of season themed dishtowels, using different colors to represent the seasons. 

• The weft forms the shape of the leaf. I can use one representative color for each season. That will make for easier weaving, since I won't have to keep track of and change weft colors.
• The warp colors color the leaf. Here's where I'm thinking about the random stripes. If I choose a variety of yarns in seasonal leaf colors, I can give the leaves some personality, i.e. they won't all be exactly the same. At least not horizontally.

So that's the idea I'm working on at the moment. As soon as I finish painting the ceiling in our newly remodeled front room, I'll be able to get to work dressing the loom. 

Random Stripe Project Idea: Season Themed Dishtowels 

© 2026 by Leigh at Leigh's Fiber Journal

Pattern and Randomness in Nature

I started the year with a goal of permaculture weaving. Exactly what that meant, I wasn't sure, but I knew I wanted to apply permaculture principles to weaving design. I wanted to use nature as the basis for my weaving. I made a list of four things to form a starting point: colors, patterns, shapes, and fibers from nature. 

Pattern is one such permaculture principle. I see patterns everywhere in nature: waves, spirals, lobes, branches, nets, scatters, cloud forms, tessellations, Fibonacci sequences, the golden rectangle, etc.

Trees grow in a predictable branching pattern. It may look
different for different types of trees, but the pattern is there.

When I started making my stripes from nature photographs, I found myself asking questions. Does everything in nature fits a pattern? I'm applying human tools and techniques to get color stripes from photos. The result is a set of random stripes. But when I duplicate them to make a larger design, a pattern always emerges. 

In experiment #4 I managed to create random stripes, but they didn't come easily, they came with quite a bit of mental effort. It got me asking the question, is anything in nature truly random? Permaculture leans toward answering that question with "no." Curious, I brought the question of randomness in nature to the permies.com forums. It lead to an extremely interesting discussion, which you can read for yourself by following that link. 

After thinking about the various views, my takeaway is that what we see and how we see it is a matter of perspective. For example, these fallen leaves

I see no pattern in the way they lie upon the ground. Yet in reading other peoples' views on the forum, I realized that the pattern is in the seasonal cycle of growth and dormancy. In spring new leaves grow and in autumn they die and fall to the ground. This is the pattern. Perhaps "random" is what we see when we focus on details instead of the big picture. 

Trying to translate that to permaculture weaving will be a challenge. I'm not working with tangible objects such as growing zones, varieties of plants, weather patterns, the slope of the land, the type of soil, etc. I'm working with yarn, color, texture, and the interlacement of warp and weft. At best, I can create an abstract interpretation of what I see in nature. 

Artists and artisans must focus on details to decide how to interpret them with their art or craft. In weaving, this is the basis of weaving draft design. My challenge will be applying my knowledge of weaving to what I observe in nature. Should be fun. 

Pattern and Randomness in Nature 

© 2026 by Leigh at Leigh's Fiber Journal

Horizontal Color Stripe Experiment #4 (Random Stripes)

In my Horizontal Stripes From Nature post, I made the observation that when I repeated the random stripes I extracted from a photograph, I ended up with a pattern. Meg (Unravelling blog) left an interesting reply,

"Regular repeats make things look the opposite of natural? I wonder if you could print one of them, cut them up, and try placing them in orders that appear less predictable?"

I'm always up for a challenge, so I decided to give this a try. I decided to see if I could expand on my sample stripes to create random stripes.

Here's the photo I chose. 

And here are the stripes I got.

Could I make a larger sample with more stripes without getting a pattern? Could I create a random look by dissecting the image, rearranging the pieces, and then putting them together in a random way?

I worked on this for several days. I didn't print it out, but used my photo editor to crop out various sections of stripes. Try and I might, I ended up with an identifiable pattern. I recall experiencing the same thing in the past when I tried to serendipitously make a random stripe warp. For some reason, it never looked random.

So I let it sit for several days, thinking I was going to give it up. Last night I had an inspiration. This morning I worked with smaller sections of stripes, flipping some, and even changing their width. I managed to produce this - 

Do you think it will pass for random?

What I discovered, is that it's a lot more work to create something that looks unpredictable. It required way more planning and experimentation. I had to evaluate each addition by looking for a pattern to appear. So this was definitely an interesting experiment. Probably one I wouldn't have tried without Meg's questions. 

Would I ever use random stripes in a weaving project? Actually, I have an idea for something which I'll try in the near future. 

Horizontal Color Stripe Experiment #4 (Random Stripes) 

© 2026 by Leigh at Leigh's Fiber Journal

Horizontal Color Stripe Experiment #3

For experiment #3, I chose a photo with muted winter colors.

For this one, my first step was to add guidelines, just to see if I find them helpful.

They do help me visualize the width of the stripes as a whole pattern, which I like. I followed the same procedure for filling them with color as I did with my first experiment.

One thing I've discovered is that if I want to get really fussy about which color I choose with the color picker, I can enlarge the image 800 times. Then I can select from the individual pixels of color. 

This was helpful because I want to approximate the shades of the color bands my eye sees in the photo. This was quicker than making multiple random guesses with the color picker.

Here's what I ended up with

To do something different. I copied it and flipped the copy vertically. Then I put the two together.

I would like that one as a throw rug. 

Here it is with eight of these together pasted together to make simple horizontal stripes.

It kind of reminds me of a button-down shirt Dan used to have. 

So that's a simple way to take an irregular stripe pattern and give it a sense of symmetry.

Horizontal Color Stripe Experiment #3 

© 2026 by Leigh at Leigh's Fiber Journal

Horizontal Color Stripe Experiment #2

 For this one, I chose a photo with less orange and more blue. It's a winter sunrise, shot from the back of my goat barn.

I cropped a small section with colors that appeal to me. 

I didn't tweak the overall color this time, but followed the same steps as last time to create my stripes. 

As a standalone design unit, I can't think of much to do with it. My first idea was to change the width of the stripes for a towel or throw rug shape. I did this easily by elongating the image.

From there I experimented with duplicating the image and playing around with the arrangement.

I like it! And it's something I never would have come up by starting from scratch with just my brain. 

One thing I'm realizing is that this is a different way to approach color choices. I typically start with a weave structure and choose colors for it. My problem, however, is that I always seem to gravitate toward the same colors. With this exercise, I had a different starting point, and ended up with colors I probably wouldn't have selected otherwise. And I could apply these colors and stripes to almost any weave structure.

It seems like this experiment is opening up all kinds of new possibilities. 

Horizontal Color Stripe Experiment #2 

© 2026 by Leigh at Leigh's Fiber Journal

Color Experiment: Horizontal Stripes From Nature Photos

My goal here as to experiment with ways to create color stripes from photographs. I could just eyeball it, or choose arbitrarily, but I wanted to try something more methodical. The color placement in nature photographs seems random to the eye, so I was curious if I could find a pattern in there.

Here's the original photo.

From a series of sunset photos on my photography blog.

My first step was to enhance the colors in GIMP photo editor.

This is probably closer to what my eyes actually saw. JPG images are actually camera edited images, where the camera makes guesses about adjusting things like light and color. I find that my camera usually gives me somewhat washed out looking images on the laptop I'm using. So almost every picture I take, I correct more toward what looks lifelike to me.

Next I cropped a section of the photo to work with. 

Then in Gimp, I added a transparent layer on top of the image.

From there I used the "select" tool to make lengthwise boxes on the transparent layer, roughly the width of the color stripe on the photo. 

Then it is was a matter of using the color picker to select a hue within the selection, and then using the fill tool to fill it in on the transparent layer.

Here's what I ended up with.

I'd never guess it was inspired by a sunset. Do I like it? I'm not sure. The width of the stripes was arbitrary, as was which color I selected with the color picker. I think it is about as random as I've ever done, and I wasn't even aiming for random. For that matter, the colors seem anything but natural, don't they? But there they are, after sorting through a number of digital pixels.

Here's what it looks like when repeating the pattern four times (2 across and 2 down)

And here's the pattern x 16 (4 across and 4 down).

A pattern emerges with the repeats of the stripe sequence. 

Cropping a different section of the photo would give me different colors and a different set of stripes, as would using a different photo. 

My previous methods of working with stripes was either evenly spaced, evenly balanced, or as a Fibonacci sequence. This give me another design option.  

Color Experiment: Horizontal Stripes From Nature Photos 

© 2026 by Leigh at Leigh's Fiber Journal

2026 Goal: A Year of Permaculture Weaving

Last time I was able to share that at long last, I will be able to get back to weaving. No more packing things up and shuffling piles around so we can finish remodeling and upgrading our house. But where to begin? I'm not one to make new year's resolutions, but I do make goals. Something that has been percolating in my mind for the past couple of years is permaculture weaving. 

What is permaculture? It's a food growing / landscaping / life style design and maintenance system based on natural principles. The word was coined by the late Bill Mollison from the term "permanent agriculture." It has been promoted and adapted around the world. You may recall me mentioning Permies.com from time to time. That's an online discussion forum about all things permaculture, including the fiber arts. 

So here is the list of design parameters I want to include

• fiber content: Ideally, handspun. But I have a large collection of cotton and wool yarns, some handspun but much commercially spun. To start, I'm going to include the commercial natural fiber yarns. 
• color: I already started dabbling with this last year with my nature's color palettes. 
• shapes: This will probably take some defining for this project. To start, I've been collecting photographs that feature stripes or bands of color on my photography journal. How I'm going to apply them to weaving will be part of my challenge.
• patterns: Natural patterns are a key element in permaculture design. More soon.

My guiding principle is that each of these categories is taken from or inspired by nature. 

Okay, so there's my introduction. As soon as I hit the "publish" button, I'm committed!

2026 Goal: A Year of Permaculture Weaving 

© 2026 by Leigh at Leigh's Fiber Journal

2026: The Year of Being a Weaver Again?

Once upon a time, my fiber journal was my main blog. Then we bought our homestead and there was so much to do that I created a homestead blog. One of those things to do was repairing and upgrading our 100-year-old house. Seventeen years later, the interior of the house is almost done! With every room we've worked on, I've had to pack things up and pile them elsewhere. Between that and establishing our homestead, my fiber arts activities have been off-again / on again. 

2025 was mostly an off-again year, although I managed 28 fiber blog posts. Late last summer, when Dan started on the front bedroom where I set up my Glimakra, things were packed up again and piled up in my sewing room, so my table loom and supplies were harder to get to. That led to a loss of momentum for weaving the samples for the project I was working on. 

Happily, that front room is finally almost finished! 

A newly redesigned and rebuilt closet gives me all
sorts of storage space! (Before and after pics here.)

I've reserved getting excited about it until just recently, but now I'm starting to think about new weaving ideas and goals. Getting back to work on my fiber stash too. It needs to be turned into yarn! 

Anyway, I'm hopefully back to fibering and fiber blogging.

2026: The Year of Being a Weaver Again? 

© 2026 by Leigh at Leigh's Fiber Journal