Wednesday, October 31, 2007

Plying From a Center-Pull Ball

By Leigh

I will be the first to admit that I am an exceptionally poor judge of volume. I can never put away leftovers without dirtying at least two containers; the first one I choose is always either too big or too small. Along the same line, I have never been able to judge how much to fill two singles bobbins so that I don't have any leftovers after plying. Even weighing the unspun fiber doesn't help, as my spinning isn't entirely consistent. I'm sure I'm not alone in this plying problem, but it bugs me to no end to have bobbins cluttered up with leftover singles.

After struggling with this for several years, I finally decided that I needed to learn to ply from a center pull ball. There are several ways to make these, but I learned to do it with a ball winder. I use my ball winder for balling skeins of yarn off my swift too, so it is a useful tool to have around.

I wind the singles onto the winder directly from the bobbin. The yarn I am plying here is the white Shetland from the second batch from Cathy.

Before taking the ball off the winder, it is important to find the two ends. One comes from the inside of the ball, where it was secured in a notch on the core of the winder. The other is on the outside. I knot them before removing the yarn.


Next, it is ready to tie onto the leader yarn on the bobbin I plan to use for plying.

Securing the tied singles to the leader.

I secure the tied singles to the leader by first folding them over and through the leader loop. Then I pull the knot back through the loop created by the singles. When this is snugged up, I find that the singles are quite secure. After plying, it is easy to remove the yarn from the leader by pulling the knot back through the loop. No cutting needed.


I like to use one of my cabled yarns as a bobbin leader. Cabled yarns seem to withstand both directions of twisting than do ordinary yarns.

Getting started is a little tricky, and I have to admit that learning how to do this took some time and practice. The key to plying from a center pull ball is to keep both singles at the same tension during the plying. Otherwise, the looser single wraps itself around the tauter one. This is ok for certain designer yarns, but not okay for 'plain vanilla' type yarns.

This hand position works for me.You can see the hand position that works for me in the photo on the left. The actual position of the hand isn't critical; you may need to experiment a little to find what works for you. What's important is keeping the tension of the two singles the same.

When I first start plying, I treadle enough to get the twist started, then stop to make adjustments. One ply comes from the center of the ball, and the other unwinds off of the outside of the ball, but they do not unwind evenly! That means I may need to adjust my hand position or hand movements. Actually, I move the hand holding the ball very little, if at all during plying. I just keep an eye on the two singles as they unwind, and try to keep them the same length and tension.

The first few yards are where I experiment with the number of treadles I'll need to match the 2-ply on my sample card.


Comparing the twist to the sample yarn.

My sample card contains a short piece of freshly plied yarn off the bobbin. This shows me how the yarn wants to ply back on itself to balance the twist. To figure this out for plying, I count the number of treadles for a comfortable length of yarn, and then compare. The specific length isn't important as long as it is manageable for the spinner and remains consistent. If my 2-ply isn't perfect at first, I don't sweat it because the ends of a skein are often wasted anyway.


I like the sample card comparison method of determining the amount of twist needed, as it is more accurate with singles that have been sitting around on the bobbin. Sitting yarn tends to temporarily set its twist, so unless the twist is revived, it's hard to judge how much to ply it.

Once I establish a treadle count, I can get a rhythm going.

1st count the treadles to ply....
I count the number of treadles I need for the length of yarn I'm plying,

...then pinch and feed in.

pinch the point of twist, and let the plied yarn feed into onto the bobbin. As I feed in, the singles are pulled gently from the ball. If I need to, I stop treadling in order to reposition my hands to get an even tension.

One potential problem can be if the center of the ball pulls out like (click here) this. That doesn't happen often, mostly if the singles are very fine, or the fiber somewhat slippery. In that case, it's better to make smaller balls to work with.

Another thing I like about the center pull ball, is that it's easy to take a break.......

A handy way to take a break from plying.

The center of the ball fits nicely onto the tension knob (which isn't really used for anything anyway as this wheel is set up double drive.)

Plying from a center pull ball, like spinning itself, is an activity that is learned kinestetically. Descriptions and demonstrations may be helpful, but in the end one has to learn by doing it. It is something the hands have to learn as well as the mind. That requires experimentation and practice. These in turn require patience with oneself and one's efforts. Not easy for those of us with a streak of perfectionism! Still, to me it was worth it.

Monday, October 29, 2007

SAFF

Originally, I had hoped to entitle this post "Sheep To Shawl," because that's what I participated in at SAFF this year. The WNCF/H Guild hosted a Sheep to Shawl demonstration again, and this year was the first time I took part. My plan was to take photos of every step in the process, and post them in this blog post. Unfortunately, things didn't turn out that way, mostly because the crowds were so huge that good photographic opportunities were difficult (for this amateur photographer anyway.)

I started by trying to get a pic of the shearing demo, but due to the crowds I couldn't get close enough and at a good enough angle for a good shot. Then too, the area we had to spin and weave in, was long and narrow; the long part running from the public area to a door in back. That meant that it wasn't easy to set up the spinning wheels in any orderly fashion, especially as the ground wasn't level. We were set up in a crowded, hodge podge arrangement, and with the steady stream of curious onlookers, I never could figure out how to get some good shots.

I did have fun though. Besides the shearing demo, there was a fleece skirting demonstration. We had a good number of volunteers carding and spinning. We spun worsted weight singles, which were immediately wound off onto weaving bobbins. Our weaver used these as weft on a pre-warped loom, to weave a lovely shawl. No photos of that either, *sigh*.

What I can show you however, are the goodies that followed me home. Unfortunately, this won't be your typical fiber fair eye candy, as I had decided that fiber and yarn weren't at the top of my list. Consequently, my purchases are visually boring, but very useful.

Any type of fiber is usually a temptation for me, but I decided to close my eyes to all of it and focus on some items that I didn't want to have to mail order later, and pay shipping on. I used to do a lot of mail order shopping, but as shipping costs have gone up, my mail ordering has gone down. Fiberwise however, I couldn't resist this package of silk hankies.

A stack of silk hankies purchased at SAFF
I had so much fun knitting them, that I wanted to dye some of my own and do that again. Or maybe try weaving with them.

What I mainly wanted to focus on were dye supplies. I have done very little dyeing these past two years, but now with the prospect of moving to a larger place where I can have room to set up and get outdoors, I want to get back into dyeing.

Dye supplies
The tall bottle on the back right is supposed to be Synthrapol. It isn't. It's Retayne, which isn't the same thing. I just noticed this when I set up for the photo! Grrrr. Don't ya just love it when someone shelves an odd bottle without watching where they're putting it. *sigh*

The other items include a few Cushings dyes, a pound of alum, 4 ounces of cream of tartar, and a Procion Starter Set from Earth Guild. I got the Procion kit because I want to experiment painting some cotton warps. All my dye experience has been with wool and silk, so this will be something new for me.

RBS front with buttonsThe other thing I looked for and found, was buttons for my Rare Breed Sweater, which I was unable to find locally. This project has been set aside since last April, when I completed everything but the neck and front bands. I knitted the neck band last week, but had to wait until I got some buttons before I could knit the front bands.

I don't know why, but I always agonize over choosing buttons. I had something sheepy in mind, but wasn't able to find anything with this theme that I really liked. I know that buttons can either compliment or distract from a finished project, so I am usually hesitant when it comes to fancy buttons. Most of the time I opt for something plain, just to be safe. I really liked these however .....

Close-up of button







What do you think? Are they a good choice for this sweater? Knitting on the button bands will commence soon.

So that's it. That's the SAFF report. It was a fun day with beautiful weather and good friends. I thoroughly enjoyed myself.

Friday, October 26, 2007

Jack Loom Diagnostics

Several weeks ago, I mentioned that I was going to warp my jack loom again. I wanted to see if I could apply some of what I've been learning about looms.

When a weaver warps a loom, the goal is for the entire warp to be evenly tensioned across it's whole width. However, one of the problems with jack looms and warp tension, has to do with the way this type of loom makes the shed (opens the warp so that the shuttle can pass through). The jack loom is considered a rising shed loom, because to make a shed, one or more shafts lift the warp ends threaded through them. During weaving, that upward pulling on the warp increases the tension on those lifted warp ends. This means that the warp in the shafts which remain in the down position are temporarily at a lower tension. This can create problems for a weaver, including skipped warp ends.

To compensate for this, the warp on a resting jack loom should take a downward curving dip. I wasn't able to determine this by just looking at it, so I set up a diagnostic string, as described by Peggy Osterkamp in Warping Your Loom & Tying On New Warps. You can see mine below; it's red and weighted at the front and back of the loom with s-hooks.

Running a diagnostic string.
As you can see, my warp does indeed dip below this string.

The warp dips below the diagnostic string both with the raddle....
Then I wondered if my raddle had something to do with it, so I removed it and took another look......

...... as well as without.
Even without the raddle the warp dips down below the diagnostic string.

The purpose of the dip is to help compensate for the upward lifting of the warp as the shed is made. Both top and bottom of the shed should be the same distance from the diagnostic string, resolving the difference in tension between the two.

My conclusion? That Schacht did a good job of designing their looms!


Related posts:

Tuesday, October 23, 2007

Finishing the Unfinished Afghan

By Leigh

In August, I posted about finishing my (commercially) space dyed yarn afghan. (That post here.) Instead of fringing it, I decided that I wanted to crochet an edging all around. Finally, with cooler weather, I've gotten that done.

Completed space dyed yarn afghan.
I decided on a simple closed shell edge, to compliment the zig zag effect of the twill treadling.

Close-up of crochet shell edging.
1st row - American single crochet (double crochet in the UK) all around in solid blue (the same as the weft yarn).

2nd row - a shell row consisting of *5 American double crochets (UK trebles) in one stitch, skip 2 stitches, one US single, skip 2 more*, repeat from *.

For the shells, I used the space dyed warp yarn. I didn't figure out the corners till the last one, but oh well, who's gonna notice from a galloping horse?

Comparison of afghan front & back.
I think that as a Christmas gift, this will be appreciated by the recipient. However, as an experiment in space dyed yarns, I'm not satisfied with the results. I tried to measure the color changes in bouts, but the commercial dye job was too inconsistent, so that the color changes aren't even and the effect is too stripy. So I reckon that leaves me with dyeing my own warps, which is an adventure I'll save for another time.


Related Posts:
More Space Dyed Twill Weaving
Space Dyed Twill Afghan

Saturday, October 20, 2007

A Shetland Hodge Podge

At least that's what it seemed like when I went to fetch out the white Shetland fleece from this bag....

Bag of 3 types of Shetland fleece.....from Cathy last July. I've already posted about that intrigueing blackish/brown fleece here, so the next one on my mind was the white one, especially after my interesting discovery about those Shetland whites.

However, when I dumped the remaining fleece out of the bag, they were both dirty enough that I couldn't tell which was which.

What I did notice, was that quite a bit of the fleece looked like this.....

.... with thick, matted, yellow stained butts. I took a dog comb to them, and the combed out easy enough.

I decided to wash both fleeces together, and try to sort them out afterward. I was able to do so with a little help....

One fleece is quite white, while the other is white with cream tips and black and reddish fibers in it. The difference is subtle....

I will drumcard and spin these separately. More on that later.

© 2007 Leigh's Fiber Journal